The Monte Vista

  • Band
  • Cropped the monte vista headfull of change album cover
  • Cropped vista robot
  • Cropped kfe 4491

Genres

Rock, Brit-pop, Desert rock, Garage rock Acid rock, Acoustic, Glam rock, Alternative, Modern rock, Americana, Art rock, Singer songwriter, Surf Rock, Psychedelic rock, Folk rock More...

Location

Brooklyn NY United States

Sounds Like

Big Star and 10cc with some Squeeze

Label

Love Sick Records

Digital Location

https://themontevista.bandcamp.com/ musicpage.com/themontevista

History

Member since: 05/13/2015 Year Founded: 2006

Contacts

Mail alt 16x12 Jesse Lent
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Jesse Lent

Brooklyn

917.445.9875

Details

  • Original material: 03 hrs : 00 min
  • Cover material: 01 hrs : 00 min
  • CDs released: 2
  • CDs sold: 1000
  • Digital songs sold: 750
  • Original Songs: 70
  • Average Draw: 50
  • Largest crowd: 500
  • Have sound: Full PA
  • Licensed songs: 23

Biography

It’s been seven years since “Money Makes You Boring,” the debut album from Brooklyn-based psychedelic garage band The Monte Vista, was released.

In that time, the group’s frontman and sole songwriter Jesse Lent has remained busy, jumping on bass for the 10-piece instrumental funk group and Fat Beats recording artist CSC Funk Band, with founding Gwar drummer Jim Thomson, USA Is a Monster guitarist Colin Langenus and Talibam! keyboardist Matt Mottel.

In addition to producing the band’s second album “Funkincense,” listed on SPIN’s “42 Essential Releases” for Record Store Day 2013, Lent appeared on the Langenus solo albums “Good God,” “Infinite Ease” and “COL,” released on Northern Spy Records under the name the Colin L Orchestra. A musical collaborator of Langenus’s for more than a decade, Lent also contributed bass to the last song of USA Is a Monster’s final album of new material, 2010’s “R.I.P.”

It would appear that performing with such heavy-hitters helped the CSC Funk Band bassist to step up his own game. On “Headfull Of Change,” out on Love Sick Records on May 9, could be the Brooklyn-based artist-producer’s strongest offering yet.

Though the original rhythm section of The Monte Vista featured on “Money Makes You Boring,” featuring Cat Power collaborator Erik Paparazzi and Orion Experience frontman Orion Simprini, was abandoned for a leaner trio sound once Lent returned from the sunny streets of West Hollywood where the band was born, the Brooklyn lineup of the band has more grit and more guts.

Enlisting James Broughel on bass, formerly of singer-songwriter James Levy’s band on the UK label One Little Indian, LEVY, paid huge musical dividends.

“When I got back to New York, I started thinking about who I wanted to have in the new lineup and James was the only name on the list,” Lent said. “Fortunately, he agreed to join up!"

After adding the Levon Helm-esque drummer David Ciolino-Volano, whom Lent met during an interview for Hunter College’s radio station, The Monte Vista set up camp at Clean And Humble recording studios in Sunset Park, Brooklyn for the better part of a year.

Preferring the sonic possibilities of the giant industrial space, like several custom echo chambers to standard “in-the-box” digital effects, Lent didn’t shy away from experimentation as he honed the album’s futuristically retro sound.

“Headfull Of Change” may have clear overtones of late 1970s guitar-driven rock bands with a penchant for songwriting like Squeeze or 10cc, yet there is also something distinctly new.

According to the Monte Vista frontman, this is all according to plan.

“On the first album, I was really working with a 1960s sound in mind, heavy reverb in an attempt to channel my hero Lee Hazlewood and a lot of Beatles-style vocal doubling,” Lent explained. “On ‘Headfull Of Change’ I did my best to find new sounds and styles, many of which were more dry and ‘70s influenced, sure. But we were also searching for something new and not tied to any one era.”

In addition to the brown sugary leadoff single “All In Your Mind,” highlights of the 10-song album include the track “Maybe It’s Time,” featuring the acoustic guitar playing of Michael Hurley collaborator Wes Buckley and the album’s title track in which Lent shows off his formidable slide guitar playing.

Tour Dates

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