|Manager/ Booking Agent||586.420.4728|
GenresBlues, World, Soul
LocationDetroit MI United States
Sounds LikeWorld music meets funky blues fusion
Digital Locationhttp://www.harper.biz musicpage.com/harper
HistoryMember since: 04/26/2012 Year Founded: 2000
- Original material: 04 hrs : 00 min
- Cover material: 00 hrs : 30 min
- CDs sold: 50000
- Original Songs:
- CDs released: 10
- Digital songs sold: 8000
An amalgamation of blues, soul and world music, multiple award winning Australian singer/ songwriter "Peter D. Harper" creates a heady mix of roots music through his creative use of the harmonica, and the haunting drone of the didgeridoo. By combining traditional and modern influences, borrowing from Western and World music, Harper has created a highly original take on the roots genre which many have labeled "World Blues". Harper has received an amazing 14 x Music Awards in four different countries. His innovative use of electronic enhancement and feedback, breaks the traditional boundaries of the harmonica, giving his music its distinctive harmonics and effects. The powerful guitar sounds and the unique drone of the didgeridoo create raw yet eerie sonic textures, some how sounding primal and contemporary at the same time. Harper is backed by his very talented Detroit based band "Midwest Kind" featuring Michael J Howe Jr on Guitar, James Norris on Bass Guitar and Dee Washington on Drums.
Harper's musical journey began early, performing in brass bands playing the trumpet and euphonium. At the age of ten, his family moved half way round the world to Perth, Western Australia, and his Grandfather introduced Harper to the harp. In Perth, one of the most isolated cities in the world, there was a thriving blues and folk scene. The blues had a rawness, an honesty and a passion of the soul which spoke to Harper deeply. Then, like every blues lover, Harper began his journey backwards to discover the deeper roots of the music. "I think Muddy Waters really hit me hard. There was something incredibly special about his sound, his powerful voice and his songs. I would sing his songs constantly. I also really dug Sonny Boy Williamson II as well. I loved his rhythmic use of his harp. I was also inspired by a pretty wide range of players and styles like Little Walter, Sugar Blue and Stevie Wonder who guide me in my harmonica playing. "But Harper did not stop his search with the blues. It was a chance meeting with a Hopi "Dan Running Bear" in Silverton, Colorado, that led him down the path to rediscovering the music of his homeland. Fascinated with the spirituality and culture of the American Natives, he found the same qualities present in the Australian Aborigines of his homeland. On adding the native didgeridoo to his music, Harper says "It is a sound I grew up with, so it seemed natural to add it to my songwriting particularly when the lyrics related to the plight of the Aborigines in Australia. When I added the didgeridoo to the more traditional blues instruments, it worked. The deep woody qualities and its haunting drone seemed to enhance the emotional quality of my stories. The didgeridoo is a spiritual and healing instrument, and it seemed blues music accepted it with open arms. I also owe my life to a tribe of nomadic Australian Natives who saved my father and I from starvation when we were trapped at The Fitzroy Crossing (Western Australia), in between two fast flowing river torrents. They gave us enough food and water to last us until the flood had subsided. I feel my music is my way of giving back to these wonderful people".
On March 31st, 2016, Harper released his new CD "Show Your Love' (Blu Harp Records) The new CD hit # 3 on the Billboard Blues Charts - (July 27, 2016). Plus an amazing 6 Months in the Top Ten on Billboard, (September, 2016) only being beaten out by Eric Claption and Joe Bonamassa. "Show Your Love" also hit # 1 in The Netherlands, # 1 in Italy and #3 on the Australian Blues Charts (Top 5 for 5 months). Harper’s latest CD features 11 original road-tested tracks recorded with his well-traveled Detroit-based touring band “Midwest Kind.”.Harper's latest offering features his strong, resonant voice and a deep, almost mystical approach to music that some might say has evolved into its own genre. Harper calls it “World Blues” -- a rich musical stew of ‘50s rhythm and blues, a ‘60s message of love and unity, and ‘70s funky soul, stirred up with masterful harmonica and the deep, woody, percussive tones of the didgeridoo, served up in a feast of timeless mystery. With his chops at their best and his band "Midwest Kind" sharing his vision, Harper will continue to turn heads of audiences who are looking for originality, honesty, passion and skill in modern roots music.
Detroit Music Award "Outstanding Vocalist" (2014)
Best Instrumentalist "Big City Blues Magazine" USA (2013)
Best Live CD "Blues 411", New York. USA (2012)
Inducted into the Blues Museum Hall of Fame, Canada South Blues Society, Windsor Canada. (2011)
The Bronte Blues Awards, United Kingdom "Best Instrumentalist" (2009)
Acoustic Artist of the Year TREV, Australia (2005)
Male Vocalist of the Year - "Australian Blues Awards" (2004)
Song of the Year "Australian Blues Awards", (2004)
Album of the Year, Nasty Harp, Sweet Harp Awards- "Guide to Best of the Blues Harmonicas and Beyond" USA . "Way Down Deep Inside" CD. (2003)
Raw Talent Awards Number 1 Song "Never Change the Way She Feels", Australia (2001)
Duke Award Yamaha Rock, Australia
Gold Record "Sailing Australia" America's Cup Theme
Detroit Live MagazineApril 02, 2012
"Live at the Blues Museum"- This disc is a prime example when sublime inspiration and diverse cultures collide; beautiful things blossom!. You've got Australian singer/songwriter Peter Harper paired with mid Michigan musicians Matt Besey (Guitar/vocals), Chris Wiley Smith (Bass/ djembe/vocals) and Scott Key (Drums) for a performance that is riveting and truly one of a kind! This is from a recent show recorded December 17, 2011 in Windsor, Canada and features Harper and company at the peak of their powers. All of the tunes are Harper originals and although he is considered a "blues" musician of sorts, none of the songs follow any 12 bar cycles or patterns. He infuses much of the material with hefty dollops of funk, soul and even world beat elements. And many of the themes deal with issues of spirituality, love, connectivity and enlightenment. In addition to his spell binding acumen on harmonica, Harper also integrates the Australian...didgeridoo into the mix for a captivating and haunting effect. Eric Harabadian, Detroit Live Magazine, April, 2012.
Modern Rock ReviewApril 02, 2012
Harper is an original, playing the harmonica like an authentic Chicago bluesman, singing about unity and love like a member of peacenik jam band, belting crisp vocals like a straight-up classic rock performer, and then pioneering the didgeridoo into these popular forms of modern music, to make it all timeless. He intricately weaves these sounds together and makes it all very entertaining and fun in the process. Unique and quality music of this kind is truly a rare treat.
Karyn Albano, Modern Rock Review, April 2012.
Chicago Concert GoersDecember 10, 2011
I first saw Harper when he opened for Anne McCue in 2004 at FitzGeralds and made a note to see him again. While top-notch bluesmen are common around these parts, it's not every day that you see someone play a didgeridoo. Well, it was a long time coming, but I finally saw Harper again Friday at the Berwyn roadhouse. I wasn't the only one marking time, either. "Welcome to FitzGerald's, everybody" Harper said after his first two numbers. "It's been too long".By then, the Australian musician had already reminded me why he so impressed me on the same stage seven years ago. "Harper may hail from Down Under, but everything about him is a cut above- from his songwriting to his harp playing to his singing to his vibe to his rapport with the crowd. And then there's the didgeridoo, a wind instrument developed by the Aboriginal people of Australia's Northern Territory some 1,500 years ago. Harper played three different didgeridoos, each measuring between four to five feet long. The longer the length, the lower the key. The didgeridoo is so unique that it could come across as a gimmick in lesser hands, but what's remarkable about Harper is how he seamlessly blends the wood instrument into his soulful blues. He incorporates the didgeridoo's droning sound naturally. Looking like he just returned from a journey into The Outback, Harper opened with "Love = Peace = Freedom, a song from his 2010 album "Stand Together". "Love, love, love, love," he sang, "equals peace equals freedom". The song was a melting of equal parts Australia, 60s San Francisco and Chicago blues. The idealism continued in "Not My Brother" which featured a big harp closing. "I was born in Chicago", Harper joked after the song. "I have that accent". While the didgeridoos visual presence can overshadow Harper's mastery of the harmonica, there's no doubt that Harper can stand tall with the town's standout blues harp players, and even teach some of them about the value of restraint. His playing is never showy, but comes from deep in his soul to serve the song. "Chill Out" and "Last Cup of Coffee" featured his flowing harmonica. Then it was time to break out one of his unique instruments on "Ill Go Home" "I feel like some didgeridoo", Harper said. "I just can't get enough of it". Who can, especially on the weekend when you have time on your side. He switched between the didgeridoo and the harp during the song, and it seemed like the most natural thing in the world. The fun "Gimme The Money" saw Harper toss in a couple lines from Barrett Strong"s "Money (That's What I Want). A three-piece band from the Detroit area backed Harper. He used them much like Hendrix used his bands, as percolating and kicking frames to his exploratory playing. Harper said he, too, is living in Detroit these days, but that shouldn't come as a big surprise. The guy is unique. I've made a note not to wait seven years to see him again. Dave Miller, Chicago Concert Goers. Listed in the Top Shows of 2011, Chicago!!!!!
Rambles MagazineAugust 28, 2010
Michael Scott Cain
Harper is an Australian blues-rock musician who, in an effort to bring his own culture to the blues, has added the didgeridoo to his music. A master Chicago-style harmonica player, with elements of Little Walter and Sonny Boy Williamson in his playing, he also possesses a strong voice and a deep, almost mystical approach to music. The didgeridoo, hovering below the more traditional blues instruments, along with the frequent use of Native-American rhythms, adds to the mystery. This man is doing something new. Harper is an original, singing about unity and love like a 1960s hippie, playing the harmonica like a '50s rhythm 'n' bluesman, and singing like a '70s soul man, but using the didgeridoo to make all of this timeless. At this point, he has pretty much left the blues behind and is working at creating his own genre. His is exciting, deep and mysterious music that deserves the widest possible audience. Rambles Magazine, August, 2010.
May 01, 2010
Rebel Rod Ames
Peter D. Harper, with his latest record, "Stand Together", has written and arranged some of the most soulful, blues-rock filled music I’ve heard in quite some time. The man can blow a harp like no body’s business; and did I mention he has created some of the most soulful, most blues-rock filled music I have heard in quite some time? However, this is just skimming the surface of what this phenomenal artist emits from this 12 song CD consisting of his Michigan-based touring band, Midwest Kind. Harper enlists the sounds of blues, rock, R & B, and adds a strong element of world music, as evidenced by the use of the aboriginal musical instrument didgeridoo. In fact, Mr. Harper himself plays this incredibly recognizable musical instrument commonly played by the native peoples of the “Outback”.
He intricately weaves its mysterious sound into several of these very uniquely original tunes. His use of the didgeridoo in combination with the more traditional musical instruments (i.e.; electric guitar, drums, Hammond and Wurlitzer, etc.) adds an eerie, wild sound from down under that lures the listener in, and almost savagely places its hooks into the listener’s sense of hearing. He or she is seemingly left dangling there, metaphorically speaking, totally taken into custody by this incredible combination of sounds. As the listener progresses through the album, it’s as if he or she is trekking through a jungle of musical notes in conjunction with other strange sounds, creating an extremely textured wall of musical vegetation and undergrowth. You can feel and hear the richness growing all around, eventually smothering the listener in a symbolic quicksand of wonderfully strange sounds. It’s a musical jungle one will never want to leave. Rebel Rod Ames, "No Depression Ezine", USA May, 2010