Brian Mayhall

Verified
  • Solo Artist
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Genres

Electronic, Dance, House, downtempo/chillout

Location

Santa Fe NM United States

Sounds Like

Lusine, Robag Wruhme, Stimming

Label

Mesa Recordings

Digital Location

musicpage.com/brianmayhall

History

Member since: 10/13/2014 Year Founded: 2012

Contacts

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Brian Mayhall

Santa Fe

505.690.7164

Details

  • Original material: 02 hrs : 30 min
  • Cover material: 00 hrs : 00 min
  • CDs released: 1
  • CDs sold: 100
  • Digital songs sold: 400
  • Original Songs: 30
  • Average Draw: 200
  • Largest crowd: 1,000
  • Have sound: No PA
  • Licensed songs: 0

Biography

Brian Mayhall is a musician and producer based in the desert mountains of Santa Fe, NM. With over twelve years of collaboration as bassist and keyboard player in the post-rock-psychedelic-tech-trio, D Numbers, Brian is a well seasoned performer who is familiar with a wide variety of musical contexts: from international music festivals to college-town basements and moonlit dance parties. In 2012 he started showcasing his innovative solo work which immediately began to win over hearts and dance floors worldwide. Always remaining true to his genre-defying D Numbers roots, Brian creates soulful and organic variations on house and techno themes. With intricately edited vocal samples, deep beats, and melodic textures to boot, Brian’s live sets are profound sonic stories that reflect the expansive nature of his surroundings. He is the co-founder of Mesa Recordings which he currently runs with Ben Wright and Paul Feathericci. All the while playing shows and writing new material, Brian has released an LP and an EP in the last year as well as played shows at festivals in the U.S. and select cities in Europe.

Santa Fe Reporter

January 03, 2014
Bran Ghigliotty
http://www.santafe.com/article/best-santa-fe-albums-of-2013

2013 was bursting with Mesa Recordings releases. Brian Mayhall, bassist and founding member of local trio D Numbers, infuses his talent for groove into every track. “Ain’t Sunshine” slowly bubbles to the surface, hand claps cutting through the haze of synth, only to dip and ready another volley. “Wind Chill” features the electronic wizardry and organic flourishes of other Mesa acts, layered with disembodied staccato vocal melodies. The result is a refreshing, ethereal album that is downright booty-shaking.


The Santa Fe New Mexican

August 09, 2013
Loren Bienvenu
http://m.santafenewmexican.com/pasatiempo/columns/sound_waves/local-label-reaches-a-new-plateau/article_ea830be2-005f-11e3-82ed-001a4bcf6878.html?mode=jqm

Born of the arid desert lands of New Mexico, the electronic music showcased by Mesa Recordings is more likely to play on radio stations in Berlin, London, and Sydney than the American Southwest.

The three members of D Numbers (a successful, long-running instrumental/
electronic group and one of the rare Santa Fe bands to outgrow its home market) founded the new label partly as a means to promote various individual side projects — guitarist Ben Wright is one half of Public Address (with Andrew Bowen) and also makes music as Mi; bassist and keyboard player Brian Mayhall produces solo material under his own name; and drummer Paul Groetzinger performs and records as DJ Feathericci. All these acts are represented on Mesa Recordings’ forthcoming compilation, We Live in The Desert. To help spread the word, the Mesa team is hosting the first of a series of monthly label showcases at Molly’s Kitchen on Saturday, Aug. 10.

The music on the new release (and earlier ones) falls into a genre best described as experimental dance music, which they say is characterized by softer production and rounder mixes than traditional house and techno music. “It totally has a local flavor,” Wright told Pasatiempo during an afternoon break taken by the three members, in between label business and writing new material for the next D Numbers album. “It’s not Berlin techno. It’s house-inflected, but it’s got some color you wouldn’t find elsewhere.”

Groetzinger agreed: “Yeah, there’s maybe more space and an acoustic nature to our stuff.” Though proud of their homegrown sound, the musicians have been so busy running the label that they haven’t had many recent opportunities to actually perform locally. “Not a lot of people have had the chance to see Brian do his original stuff or Public Address do their original stuff. Something we really want to bring to the dance floor [at Molly’s] is our original dance music, not just DJ music.”

Wright added, “Our distributor is based in the Netherlands, so a lot of the feedback we get is from the Netherlands, Germany, the U.K. It can feel a little far afield from what’s going on here.” Distribution was actually the main impetus behind the founding of Mesa Recordings. Their soon-to-be Dutch distributor initially contacted them with an interest in the D Numbers catalog. “They took a shine to us for potential sync licensing,” Groetzinger explained, referring to licensing music for use in films, television, and commercials. “They don’t just work with bands, so they said, you have to become a label in order for us to distribute you. They weren’t really expecting us to throw a release at them every two months!”

In Mayhall’s opinion, the new situation is ideal: “Previously when we were touring, we were always hoping some label would pick us up. We were out there in the world thinking, hey guys, we’re making this great music and working really hard on it. At that time, labels were sort of dying and on the decline. Now it’s cooler than that could’ve ever been, because we have our own label. To me it’s a total dream come true — 
we have these people helping us in Europe, and yet we have all this creative control.”

Although based in the Netherlands, the distribution company 
works internationally and releases Mesa’s music on countless digital platforms. They also handle European promotions for the label, sending out press materials and working to secure radio and internet airplay. After a decade or so of doing that legwork themselves, the members of D Numbers were happy to pass along a big chunk of the responsibility.

“Before we’d just send things out into the ether and get back 
nothing,” Wright said. Now, they receive regular promo reports 
with encouraging statistics regarding worldwide plays and the occasional surprise highlight, like Mesa spins on BBC radio. For the most part, however, the music spreads through online means. “Pandora was the first thing that really gave us hope,” Groetzinger said. “You can see who has a D Numbers Pandora station. There are like tens of thousands of people with D Numbers as either a seed band in their station or as the main seed. How would we be getting these hundreds of thousands of downloads and streams a month without that?”

The increase in worldwide exposure came with the potential for new 
collaboration. According to Mayhall, unsolicited submissions from similarly inspired electronic artists have already begun to trickle in. “We got a really cool submission from someone in Italy. They heard Public Address, on the radio or something, and said, I really like this, I want to reach out. And it was great hearing her music.”

Conversely, the label owners pursue outreach efforts of their own. Mayhall contacted a Ukrainian artist he admired named Kulakostas and asked him to remix one of his own songs. “He did it in a couple weeks, and it’s beautiful. So now we have a connection with this guy, and we’re getting plays on SoundCloud in Ukraine.” Similarly, they are looking forward to releasing a full-length album by Denver-based producer David Last in 2014 as one of the six releases planned for the upcoming year (and the first one that does not feature a member of 
D Numbers).

The label’s approach to making low-overhead digital recordings and spreading them far and wide fits the emerging paradigm for independent labels. All three founders record their own music in home studios rather than expensive and elaborate professional ones. They encourage other musicians to do the same, both to lower costs and maintain creative freedom.

“Decent speakers, good plugins, audio interface, microphone, and you’ve got an awesome home studio,” Groetzinger summarized. For the founders of Mesa, who have discovered how to grow internationally without sacrificing their Santa Fe headquarters, the main benefit of the home studio is just that — it’s home.


Tour Dates

Bandsintown